Ryan Koopmans And Alice Wesselboth multidisciplinary artists with more than twenty years of combined professional photography, have released the third chapter of their ongoing series It wanted inside.
By its simplest explanation, It wanted inside is a series of digital artworks that breathe new life into abandoned buildings from a bygone era. The duos Genesis collection researched this on the basis of 13 unique works, the second chapter, sanctuarythrough four unique works, and now the third chapter, Symphony unveiling of a fourth work, The enchanted hour.
This fourth work from the third chapter comes to life through dynamic functions achieved in collaboration with Temporary laboratories. To further understand the work and its significance, we spoke with Koopmans and Wexell, who gave a comprehensive overview of why and how they do what they do.
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I’m excited to unveil The Enchanted Hour, a dynamic piece of art that has been in the works for a year.
Every hour an owl emerges from the painting on the wall and flies through the room calling to indicate the time.
Each evening the scene transitions from day to night.
More below
pic.twitter.com/1EtBd2JaUe
— Ryan Koopmans (@ryankoopmans) August 18, 2023
The location
In conversation with the location selection for The enchanted hourKoopmans shared: “The building caught my eye when I was researching online, but as is the case with all such structures, the actual conditions of the interior remain uncertain in reality until you visit the site in real life.”
Although Koopmans and Wexell always conduct a large amount of research prior to physical exploration, there is always a chance that the structures will be demolished, damaged or otherwise become inaccessible.
“The journey to finding a suitable building typically goes in three ways,” Koopmans said, adding: “When discovered, it reflects your vision, is it a happy thing, or has completely disappeared. It can also happen that you unexpectedly come across a different location along the way.”
“There’s always an element of the unknown, which is a big part of the excitement.”
Ryan Koopmans
Koopmans said about the discovery of this specific building and its final selection: “Between an exhibition in Prague and capturing another location in Georgia, we embarked on a journey through Italy in search of three specific locations.”
Speaking about criteria, he explained that “Among the derelict buildings of the world, only a few possess an aesthetic, conceptual and historical mix that really fuels our inspiration to turn it into a work of art – the villa in The Enchanted Hour is one of these rare treasures.”
Aspects that meet these criteria include baroque details, a sense of scale, color tones and the ability to implement animated foliage, a key element of Koopmans and Wexell’s It wanted inside to work.
It’s worth noting that several of the structures featured in the series have succumbed to a fate of complete deterioration, either from fire, other natural disasters, or simply lost to time. However, thanks to the project, structures like the one found in The enchanted Hour are not completely lost and are instead finding a new lease of life on the blockchain.
Wexell shared what drew her to this particular structure, saying it was “the high ceilings that give the space grandeur and openness. Remnants of unique old paintings hang high on the walls, while the room’s textured decay and weathering maintain a fascinating beauty.”
She added: “We are committed to highlighting such lifelike textures in the work; textures that are difficult to replicate in a 3D program. Our goal is to incorporate these naturally occurring, time-weathered textures into the piece, evoking a sense of authenticity.
It wanted inside
We share how this latest work uniquely reflects progress in general It wanted inside project Koopmans shared, “This piece advances the project by depicting one of our technically more complex creations,” adding, “The work is also dynamic, demanding its ultimate existence in multiple forms and formats.”
From start to finish, Koopmans explained that the process of bringing The Enchanted Hour to life took well over a year.
Wexell added: “Visually, the piece aligns with our clear front-on perspective of room interiors, which has become somewhat of a signature element in our work and a consistent feature in It wanted inside.
The building’s continued decay in real life accentuates the theme of the passage of time and the cycle of growth and decay.
Recontextualizing this architecture in the digital world adds another chapter to its history and introduces it to the blockchain. pic.twitter.com/7MX5IPl0bQ
— Ryan Koopmans (@ryankoopmans) August 18, 2023
While Koopmans and Wexell could simply create a beautiful static work, a jpeg, and then call it quits, they explained that they have a passion for pushing boundaries.
Koopmans said: “We like dynamic work and had the idea to create a kind of modern cuckoo clock, so this piece appealed to us as the one who would implement this idea.”
He added that the goal is always to go beyond that, to “bring out the best in the subject and our own creative abilities. Dynamic work takes more time, but I think it really encapsulates the hugely imaginative possibilities that this technology enables.”
“Our goal is not only to propel work for continued relevance, but to create lasting longevity.”
Alice Wessel
She added: “Achieving this requires an innovative mindset and a willingness to embrace new concepts and technologies.”
The two shared that this particular example was largely possible thanks to a partnership with celebrated Web3 innovation platform Transient Labs.
“We have worked with Transient Labs in the past and they are the best at what they do,” said Koopmans.
Both Wexell and Koopmans complimented the platform’s team on their talent, work ethic and friendliness, expressing that they are best in class at what they do and that they truly value the artists and artwork they create.
The central concept of this piece is time, similar to a modern cuckoo clock!
It is very exciting for us to use this new technology to create a dynamic digital artwork, referring to a traditional mechanism and a classic subject.
Here is an example of the transition at 7 p.m. pic.twitter.com/S2TCPgjOSu
— Ryan Koopmans (@ryankoopmans) August 18, 2023
Gratitude
Apart from the considerable amounts of ether It wanted inside as collectors recognized the significance of the accompanying works, Koopmans and Wexell shared that there are other aspects for which they are grateful.
“I find the whole process extremely satisfying, from the research phase, the exploration, the photography, the post-production and the final presentation,” says Koopmans. “There are also times when it is crucial to detach from the context and memory of creating the piece, which allows you to take a more objective perspective on the finished work and see it with fresh eyes.”
In conclusion, Wexell said, “Besides the whole process, what is most satisfying to me is to witness the functioning of the play in its full form.”
She added: “After the meticulous planning, modeling, construction, detailing and refinement all come together, the resulting comprehensiveness is very rewarding. In case of The enchanted hour, it was satisfying when the clock struck the hour for the first time and the owl flew across the room watching everything come together. In addition, the way people have embraced the concept and responded positively to the work has been satisfying. It’s great when a collector really appreciates the piece.”
