Toronto artist Mitchell F Chan, known for groundbreaking conceptual and public artwork, has unveiled its latest creation “The Boys of Summer”. The digital game’s artwork goes beyond aesthetics; it is a generative PFP collection that explores today’s obsession with quantifying the self and challenges our understanding of success.
Chan has consistently pushed boundaries from one of the first major NFT projects, “Digital Zones of Immaterial Pictorial Sensibility”, to his architectural explorations. His other ventures include generative art projects and the creation of Studio F Minus, responsible for large-scale public art installations across Canada. Chan’s work has gained international acclaim, including a piece that sold for $1.2 million in 2021.
As we embrace the intersection of art, technology and self-exploration, let’s see how Chan’s “The Boys of Summer” opens a new frontier in creative expression.
A game within art
“The Boys of Summer” is a participatory market performance piece where each of the 999 baseball characters act as a player in a game involving both the collector and the creation itself. The players’ scores can be assigned as metadata at the end of the game, intertwining the collector’s interaction with the piece.
It goes beyond just displaying virtual characters; it’s an adventure that unfolds as the owner immerses himself in the game. Various decisions about the character’s attributes, from punching power and strength to personal stats such as sleep and oral care, determine the progression of the game. The journey goes beyond baseball: players socialize, go to college, and even train. The answer? A wealth of data points that make up the character’s metadata reflect a mix of nature and nurture where playing the game affects, but doesn’t fully shape, the character’s traits.
Dive deeper
Chan’s new project explores three converging currents in contemporary culture: data in crypto, baseball, and the quantification of the self through numbers. By creating PFPs, Chan provides a poignant commentary on how we value digital art in today’s marketplaces. The collection also explores how society has shifted to quantifying ourselves through technology.
Whether for self-awareness or self-preservation, numbers and data have become an integral part of our daily lives. Baseball, with its historical connection to numbers and dates, provides a fun and meaningful medium to express these ideas. The statistical nature of the sport reflects the broader theme of tuning and quantification of the game.
Chan’s decision to create artwork for a video game aligns with his belief in using media where people are actively engaged. Every aspect of “The Boys of Summer” reflects his dedication to the artistic process, allowing for a richer interaction with the piece.
Explore identity
“The Boys of Summer” is supported by Wildxyz, a platform dedicated to fostering creative expression and building a network of artists and collectors. With notable backers from a variety of fields, Wild aims to explore the creative possibilities of digital technology.
“The Boys of Summer” is not just a game or a work of art. It peels back the curtain on how we interact and define value in a world increasingly dominated by numbers. Using the medium of video games, Chan engages players on a reflective journey, questioning their preconceptions and the societal structures that shape our conceptions of success.
With this innovative approach, Chan cements his position at the forefront of contemporary art and offers a unique perspective on the interconnected worlds of sport, technology and self-quantification. Whether you’re a baseball fan, gaming enthusiast or art aficionado, ‘The Boys of Summer’ is a striking intersection of these worlds, offering a refreshing look at what success could mean in our increasingly digitized lives. The project is officially out on August 16 at 1:30 PM ET for public sale. The coin price is 0.12 ETH.
